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AI’s assault on our intellectual property must be stopped

Writers should not have to shoulder the burden of ‘opting out’ from companies stealing their work
Copies of Kate Mosse’s novel ‘Sepulchre’ as well as ‘Labyrinth’, a work that took more than a decade of researching, planning and writing to produce. It has since been fed into Meta’s AI model

The writer is a novelist

In 1989, we bought a tiny house in the shadow of the medieval city walls of Carcassonne. It was the beginning of my love affair with Languedoc — the history, the arcane mysteries hidden in the landscape, the endless blue sky, the light over the mountains at dusk. It would inspire my first historical adventure novel, Labyrinth, which would go on to be translated into 38 languages and sold in more than 40 countries. Its global success is the reason I could give up my day job and become a full-time writer.

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